This is where it all started for me and punk music. This CD brought me into the wonderful world that we call punk, rebellion, alternative, or just “fast-talking-noise.” With Smash The Offspring shed the shackles of the underworld to be brought into the eye of society and show that they had more than enough talent to compete with the “talented” bands of the early 90s.

To current day, Smash is the biggest selling rock album from and independent label, Epitaph Records, as well as it should be. Even today songs like “Come Out and Play,” “Self Esteem,” and “Gotta Get Away,” are still tearing up the airwaves a full eight years since they were released.

The three afore mentioned songs are the best on the album, but the CDs title track “Smash” is also my favorite of the disc. So good, in fact, that I based an entire school essay on the lines. “I’m not a trendy asshole / Do what I want / Do what I feel like / I’m not a trendy asshole / Who gives a fuck if it’s good enough for you / because I am alive.” Just those simple lines open so much for discussion and homage.

There may be some that now call the Offspring hypocritical because they are just the thing they said they weren’t, trendy, but I tend to disagree. The Offspring have swayed their style in the past few years to a more light hearted tone, leaving the dark wayward songs of “Come Out and Play,” a take on a gang war and “Self-Esteem” about a man and his user girlfriend looking to score all the time. With the release of Americana and to some extent Ixnay on the Hombre The Offspring have proved that they can change with the times, so they aren’t fazed out, much like grunge was.

The song’s most interesting, and true to life road rage experience “Bad Habit” will have you listening to the words over and over again, as the song is a perfect example of some less than perfect driver “showing his piece.”

Smash is the perfect album for someone looking to enjoy a good 40 minute CD and be introduced to punk music. It is not as hardcore as some of the other punk bands out there, so it is great to ease you in on the experience.

I don’t believe that the Offspring are sellouts even though they did leave Epitaph for the bigger, more financially secure Columbia/Sony. There is only so far you can go on a independent label (don’t tell that to Pennywise, because they have proved me wrong already), but the Offspring saw a changing in the wind and decided to leave the home of Smash and release Ixnay on the Hombre as a full commercial release with the help of a major label.

What people did was label the CD, without listening to the music on it, and this CD is certainly not Smash II proving that The Offspring still have it, even on their fourth album release. Ixnay features both catchy punk tunes (“Don’t Pick It Up,” “Meaning of Life”) and songs that almost seem like 80s hair-band rock ballads (“Gone Away,” “Amazed”). The Offspring continue to change up what they are doing to stay with the times, while not compromising who they are.

Ixnay on the Hombre further diversifies the Offspring’s music. With “Don’t Pick It Up” they speak of not always believing what something is until you further examine it, or they could mean you shouldn’t think a piece of shit is really a candy bar. With “Gone Away” (my personal favorite song) lead singer Dexter Holland tells of losing a love, and asks to trade places with his lover who has passed.

Trendy or not, the songs on Ixnay show that the Offspring have the staying power to be around eight years after the release of Smash.

While Ixnay on the Hombre doesn’t diversify upon what has already been done in the punk genre, it further intensifies that the Offspring are a band to contend with, and they will continue to make good music far into the next century.

The Offspring’s last release was panned by critics and some fans as a turning for the band. Since their highly publicized departure from Epitaph Records to the Sony owned Columbia, they have been labeled sell-outs, traitors, and trendy. But it just goes to show that a band’s real fans are the one’s who stand by them no matter how bad an album they put out, or how different they change.

I am a true Offspring fan, and I totally loved their last CD, Americana. Sure, it wasn’t their best CD (that honor belongs to their breakout hit, Smash) but they made an honest effort to return to the style that made them famous with the afore mentioned Smash and Ixnay on the Hombre.

Conspiracy of one was originally intended to be released online through the band’s website in MP3 form in order to show their support for Napster and the whole file-swapping digital revolution online. Sony didn’t like that idea much. But the band did manage to release their first single from the album, “Original Prankster” on their site to help promote the disc and it’s impending release. The Offspring are only one of the bands (Including Limp Bizkit and others) that have publicly stepped up and supported the near-defunct swapping pioneer service.

Conspiracy of one features everything the Offspring are known for. There is the catch “Original Prankster” that reminds you more of “Why Don’t You Get A Job” and “Pretty Fly (For a White Guy)” than traditional old-school Offspring. But the CD does have it’s share of hard hits. “Special Delivery” brings back the days of Smash’s “Bad Habit” and “Million Miles Away” brings you back Ixnay on the Hombre’s “Staring at the Sun” and “Gone Away.”

If anything the Offspring have the ability to test different styles of music, just as they did with “Pay the Man” on Americana. While the disc is not their best effort, that doesn’t mean it isn’t still good. Smash was so good that they would be hard pressed to find a way to top it, but I’m egger to see if, and when, they do.

People once thought that American techno bands couldn’t stand up to the bands of Britain with the likes of the Chemical Brothers, and Fluke as well as the all American Gearwhore. The Crystal Method emerged four years ago to prove that American’s could come out and deliver to the genre. While their first album showed amazing promise (and was very good, still in my CD player) critics and techno fans could tell of the Chemical Brother influence.

The techno duo, Ken Jordan and Scott Kirkland, returned to their aptly named studio, The Bomb Shelter, to produce their second major-label record. With collaborations from the likes of Tom Morello (Rage Against the Machine/Audioslave) and Scott Weiland (Stone Temple Pilots), the Method reemerged this year with one of the most hardcore albums I have ever heard.

The discs first single “Name of the Game” is a hard bass pumping, guitar ripping tune that reintroduces the world to a band they have missed for the past four years. The song sounds tremendous playing on even a not-so-decent sound system with heavy bass and guitars provided by Morello.

The second single, and new video, is for the Weiland collaborated “Murder” which features a return to the rock influenced sound that was featured on Vegas.

While the album isn’t the most revolutionary, or as stunning as the duo’s first label CD, it does feature plenty of the standard Crystal Method flair that will keep fans of the first CD happy, while attracting a new audience with the new sounds pumping out of your stereo. The Crystal Method has broken the staple of just being another Chemical Brother’s rip off, they have found their own sound, and I like it.

Back in December, No Doubt, the Ska/punk band that stormed onto the music scene with the lead vocals of Gwen Stefani, released their fifth studio album, entitled Rock Steady. The band thus far has received minor criticism for this album, many people saying it is far too “poppy”; (whatever the hell that means) and is a long way from the heavy Ska people are used to from this band. I will choose to ignore those people for the remainder of my review.

If No Doubt and Garbage had a party, followed by a mass orgy, this would be the album that would result. This album combines both the sounds found on Garbage’s new album Beautiful Garbage and the intensity that lives within Gwen Stefani, Tony Kanal, Tom Dumont, and Adrian Young.

Although No Doubt does stray a bit from their usual musical tones and influences, Rock Steady is a wonderful follow-up to Return of Saturn, their previous release. It is packed with dance hits such as the first single “Hey Baby,”; which features the reggae artist Bounty Hunter, “Hella Good,”; and “In My Head.”;

The band collaborated with several artists for this album and incorporated a lot of reggae sounds into their songs. An example of this is the song “Underneath it All.”; This sound features heavy reggae influence and features Jamaican singer Lady Saw. For me, this song most resembles the old school No Doubt people are used too along with “Don’t Let Me Down.”; However, above all, the best song on the album is “Detective.”; This song is a totally new type of new sound for No Doubt, but it definitely proves that this pant does not need to stick to one thing to make it work.

This album gives Return of Saturn a run for its money in my liking, and was a kick-ass follow-up. But, I urge those closed-minded No Doubt followers who criticize this album to beware of their fragile little asses. It’s definitely something different and you might not be able to handle it. But, keep in mind, change isn’t always bad. Look at Madonna: She turned in her virgin wedding attire for a cowboy outfit, and I don’t see her losing momentum. Keep your negativity somewhere else. No Doubt about it.

Five years, it’s been five years since the release of the last Nine Inch Nails’ album. After all this time after The Downward Spiral and the classic single, “Closer,” Trent Reznor finally releases a new NIN album. Complete with 2 CDs and one huge CD pullout booklet, the album doesn’t disappoint.

One thing you will find in this album is a constant reminder of how much life sucks. Constant words like decay, damaged, and void will lead you in a direction of pity, and self-deluded depression.

The amazing sounds, ambient or not, make this CD a true industrial masterpiece.

This album, does have one downfall, that isn’t that much of a big deal, but it does need to be mentioned. Unfortunately for this CD set, it doesn’t need to be a CD set. Most of the stuff on the second disk is just repeats of the stuff on the first. Sure they are different songs, but it is mostly the same stuff again. This isn’t a really bad thing, because the stuff on the first disk is very good.

Also, as you listen to the CD you will notice that only in one song does Trent refer to the word “we”. This would be in “We’re In This Together.” All of the other tracks on the CDs refer to “you” in the singular form. From high screams of intensity to low bows of soft comforting music, then have both going on at the same time, and you have have the picture of this new CD.

After hearing numerous CDs from them, The Downward Spiral, Pretty Hate Machine, and Broken, I can honestly say that The Fragile is the best of the them all.

A few songs stand out on the CD. The recently released single “Into the Void” stands out on the 2nd Disk along with a chopped up vocal-fest of “StarF*ckers,” Inc.. The first disk contains songs like “We’re in this Together” and “The Day the World Went Away.” All with the beauty of the everlasting gloom upon them.

If you do like Nine Inch Nails in the slightest then you need to pick up The Fragile, for 18 dollars you get 2CDs packed with awesome tracks from one of the best trend-setting bands in today’s music industry.

It is sad to say that the sales of this record have been slow to pick up since the albums release. When the CD debuted at number one on the charts late last year, everyone thought the best, but as it slipped further and further down the charts, the sales began to dry up. Trent, himself, has spoken about the current industry and the situation of his latest CD in an interview with CD Now.